Studio Ghibli ’s films are fabled for multiple reasons , one of course being the gorgeous living , much of it hand imbibe . Even in the 21st century , when most studio apartment were using CGI to make feature of speech - length moving picture , Hayao Miyazaki , for deterrent example . conk out back to traditional style for his 2008 film Ponyo .
It ’s beyond impressive , even from an hearing standpoint , but to get some of the minutia of how it ’s all done do it stand out even more .
Hirokatsu Kihara , a former manufacturer for Studio Ghibli who worked at the studio between 1985 and 1989 and on features such as Castle in the Sky , recently showed off some of his body of work to blogger atNajinsan.comand detailed some of the experience behind the scenes , including his use of color , and how a scene is mapped out .
For good example , Kihara show off some sketches from My Neighbor Totoro , some that did n’t come out in the final cinema . He said this was done in the hopes that they would appear in the final intersection , but were mostly put up on the paries of the studio apartment .
https://www.youtube.com/watch?v=up-GaR1C_00
One of the more fascinating face is how the animator use colouring to express time and significance . The shades of the pelage shown in the TV below , for example , get darker as the day gets later .
“ It is often said using different colour is something that Japanese people are good at , ” Kihara told the website . “ We use different colours for the same things : colors for dawn , sunset and twilight . We make time by change the colors for different meter of the day . It sounds obvious , but it has almost never been explain with the actual skeleton . ”
https://www.youtube.com/watch?v=y_MOE4hqRt4
In this video , Kihara details how the vitaliser used compositing . Like many traditional animator , Ghibli used a layering mental process for all material body .
https://www.youtube.com/watch?v=ACWk4iyNUFk
Finally , we get along to one of the most important and proficient contribution : frame rate and consistency . Every single scene draft , down to each anatomy , has to be checked by Miyazaki himself . Then each draft , when approved , is render to the animation director , who puts in facial expressions and other particular .
grant to Kihara , it ’s about as meter - consuming as you ’d expect . He enunciate that during a crunch , he would only get a few hours a sleep per night and nobody would get any days off .
https://www.youtube.com/watch?v=5ozSM_Q6sK8
Of course , all that work paid off because we ’ve gotten classic and beautiful films like My Neighbor Totoro , Princess Mononoke , and Spirited Away , just to name a small selection of the studio apartment ’s wide of the mark filmography .
[ IndieWireviaNajinsan ]
AnimationGhibliHayao Miyazakistudio ghibli
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