Summer science fabrication motion-picture show are about spectacle . Supreme Being channel lightning ; robots deconstruct themselves in gleaming slivers of computer - bring forth light . All most of us really want when we clunk down our money for these blockbusters is to see something elephantine and fantastic that we ’ve never take care before .
That ’s why Cowboys & Aliens succeed brilliantly as a summer picture . Beautifully designed , full of brainsick action sequences that are genuinely original , the flick is a perfect escapist fantasy into the Weird West . Is it a character subject like Another Earth , or a black political caustic remark like District 9 ? No . It ’s a fireworks show that will get you cheering , and leave you quenched . Along the fashion , it will inaugurate you to a strange music genre mashup — the scifi westerly — that ’s rarely been done so well .
There are a lot of Weird Westerns that have endeavor to get off the background and been simply too unearthly to go blockbuster — Firefly is a great example of this , as is Stephen King ’s incredible Dark Tower series , which Hollywood keeps trying and failing to flex into something cinematic . And then there are the unbowed - up failures , like Wild Wild West , a resplendently - designed motion picture that was one of Will Smith ’s rare flops , and Jonah Hex , about which the less said the just . So director Jon Favreau was convey a major jeopardy trying to make a big - budget Weird Western , give the trouble audiences have had with this offbeat subgenre . as luck would have it for us , he came up with a visual tone and backstory that seamlessly blend the best of both the mainstream Western and the foreign invasion jerk .

Jake ( Daniel Craig ) arrives in a small townsfolk with no memory and a strange alien weapon enfold around his branch . He ’s the classic man with no name , and he right away finds ally when he stands up to the town ’s local bully , the drunken lout Percy ( Paul Dano ) , whose plenteous rancher begetter Woodrow ( Harrison Ford ) runs the town ’s only successful business . As Jake , Craig is the perfect stony - face badass , and Ford ’s Woodrow is a joyfulness to watch as a dick with a heart of gold . In fact , the town ’s cast of persona quickly replete out your classic Western plot , about gentleman who show their love for each other by looking past each other ’s assholery to the goodness beneath . There ’s a sweet beginner - son story between Woodrow and his adopted Indian Logos Nat ( Adam Beach , who steal the show ) that gives emotional heft to the shoot - em - ups after .
Though Jake remembers nothing about his past tense , the Wanted posters with his fount on them tell us that he ’s a notorious brigand . The sheriff ( Keith Carradine ) and Woodrow are about to dispatch Jake — either to the noose or Union marshalls , depending on who wins in their competition of testament . But their petty human concern are overshadowed by the arrival of some very Spielbergian - take care unidentified flying object that inject fire and kidnap people with demented metallic element hook that reckon like the extraterrestrial version of lasso . When those ship appear winkle on the horizon and hit through the township , you ’re watching blockbuster filmmaking done right . Favreau pull off to make his gimmick of UFOs in the Old West into a angered legal action set up part where you bury that you ’re watching a unearthly genre experiment and just get sweep forth by the idea of fellow on horseback fighting fashion plate in spaceships .
As our homo learn to work together to rescue their abducted family members , we quickly learn a detail about the aliens that ’s delivery - perfect : They ’ve come to Earth to mine for gold . So they ’re doing the usual abducting and terrorizing that aliens are always doing , but they also have a very Old West agenda that the locals can recognize and sympathise . Little storytelling touches like this heave Cowboys & Aliens above your stock summertime menu — it ’s a tale we have n’t heard before , and that ’s play . Plus , who can balk a cowboy with a blaster on his weapon ?

But there are a lot of details in the film that fall prostrate , too . Olivia Wilde plays Ella , who take up out as a mysterious distaff gunslinger but by the film ’s end has become a disappointing cliché . And a lot of zingers in the dialogue are embarrassingly unfunny ( Sam Rockwell snarks at a guy by telling him to “ go make some edible bean ” – huh ? ) . Plus there is a long scene where the local circle of Natives help the white family line out by pass them hallucinogenic visual sense — which in turn of events gave me traumatic flashbacks to really terrible X - Files episodes .
Still , I think Cowboys & Aliens cope to get over its failings with a sailplane , original sight of both the Western and the classical UFO abduction story . In the process , it reminds us that revisiting old narrative does n’t have to entail making reboots and subsequence . It can also mean putting together retro ideas in entirely newfangled ways , to give us softheaded vision of a world we ’ve never seen before .
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